Shakespeare's Medieval Craft: Remnants of the Mysteries on the London Stage
Shakespeare's Medieval Craft: Remnants of the Mysteries on the London Stage
Schreyer Kurt A

Shakespeare's Medieval Craft: Remnants of the Mysteries on the London Stage

  • Publish Date: 2014-08-26
  • Binding: Hardcover
  • Author: Kurt A. Schreyer

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In Shakespeare's Medieval Craft, Kurt A. Schreyer explores the relationship between Shakespeares plays and a tradition of late medieval English biblical drama known as mystery plays. Scholars of English theater have long debated Shakespeares connection to the mystery play tradition, but Schreyer provides new perspective on the subject by focusing on the Chester Banns, a sixteenth-century proclamation announcing the annual performance of that citys cycle of mystery plays. Through close study of the Banns, Schreyer demonstrates the central importance of medieval stage objectsas vital and direct agents and not merely as precursorsto the Shakespearean stage.

As Schreyer shows, the Chester Banns serve as a paradigm for how Shakespeares theater might have reflected on and incorporated the mystery play tradition, yet distinguished itself from it. For instance, he demonstrates that certain material features of Shakespeares stageincluding the asss head of A Midsummer Nights Dream, the theatrical space of Purgatory in Hamlet, and the knocking at the gate in the Porter scene of Macbethwere in fact remnants of the earlier mysteries transformed to meet the exigencies of the commercial London playhouses. Schreyer argues that the ongoing agency of supposedly superseded theatrical objects and practices reveal how the mystery plays shaped dramatic production long after their demise. At the same time, these medieval traditions help to reposition Shakespeare as more than a writer of plays; he was a play-wright, a dramatic artisan who forged new theatrical works by fitting poetry to the material remnants of an older dramatic tradition.

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